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BUYING TIPS
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Logo
Design
Following the tips below can help assure
the artwork you provide will achieve the dynamic results you want
when your logo is screenprinted or embroidered on your wearables. It
can also help increase the efficiency and quality of the decorating
process. Art that is "ready" for use is provided in an electronic
file that can be used for pre-press and printing without making
modifications. Below are a number of important considerations and
tips to help get your art ready for
decorating.
Acceptable Artwork
Formats
Art may be provided in any of the following
formats. Please note the modifications that may need to be made it
order to make each format ready for decorating.
For
all three formats, proper resolution is critical for clean results.
The standard resolution for printed artwork is 300 dpi (dots
per inch).
Mechanical artwork
The
traditional standard for acceptable mechanical artwork is "camera-ready black and white." Mechanical artwork can be supplied
on a sheet of white paper or bromide, and should be no larger than
8.5" x 11".
Hand-drawn artwork
A logo that's been
drawn by hand is a great starting point, but it will need to be
digitized and modified for practical use.
Digital
artwork
Images created in Adobe Illustrator, QuarkXPress,
Adobe Acrobat Reader, Microsoft Word, Excel, or Powerpoint are
preferred over mechanical and hand-drawn artwork for quality of the
end result and efficiency. However, digital artwork may still
require modification and/or preparation for the decorating
process.
File suffixes: If your digital artwork file
ends with any of these suffixes, it can be used to properly prepare
your
art:
.bmp
.eps
.gif
.pct
.pdf
.tiff
Proofs:
Any time you supply digital artwork, be sure to include a printed
proof for reference.
Disk formats: When providing your
artwork on disk, it is best to use one of these more standard disk
formats: CD-Rom, 100-megabyte Zip, or regular floppy. 250-megabyte
Zip, Jazz drive disks, and Syquest disks are also
acceptable.
E-mailed art: When sending your artwork
via e-mail, be sure to provide all of the basic elements,
including:
- fonts
- layers
-
paths
Unacceptable Artwork
Formats
Artwork provided in the following forms, or
similar forms, will not be able to be modified into ready art...
therefore delivering extremely poor results when translated into
decoration for a garment:
- on a fax sheet
- scanned into
a computer
- on a business card
- on a printed promotional
item such as a napkin or matchbook cover
Logo
Placement
Consider these lesser-used, but
highly-noticeable garment locations for a unique logo/artwork
placement.

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Estimating Stitch
Count
Here is an easy way to estimate the amount of
stitches you'll need for great looking logos.
- Print out the
grid below
- Cut out your artwork and place it over the grid
-
Count the number of boxes it fills, then find that number in the
chart
- If your design goes outside the grid, estimate the extra
grid space you need and add it to your original
total.
Other Points to Remember when Estimating a Stitch
Count
- 1 solid square inch of embroidery equals
approximately 2,000 stitches.
- 1 solid square 1/4 inch of
embroidery will equal about 125 stitches.
- No letter should be
smaller than 3/16" each letter 1/4" in height equals about 100
stitches.
- Drop shadows in your logo will translate to 200 extra
stitches per inch.
- Straight lines under logos typically require
200 extra stitches per inch.
- Fabrics, colors, and artwork
detail will affect the amount of stitches.
It is important
to remember that these stitch-count tips, and the stitch-count grid,
provide estimates only. They are a good starting
point to arrive at a ballpark count, but the precise figure can only
be determined when the actual embroidery of your design is
performed.

Note: Due to differences in computers and printers,
the size of the grid may be distorted when you print it out. Be sure
to check that 1-inch squares actually measure 1 inch on your
printout (do the same for 1/4-inch squares). If such a size
distortion occurs, you can scale your printout of the grid to a more
accurate size using a photocopier.
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It's important to remember that
every color you want used in your artwork means another screen to
create, set-up, and print through. The costs connected with these
screens depend on the techniques used.
It's always beneficial
to print more items than less because of the set-up charges
involved. If in doubt about the final quantity of screenprinted
items you'll need, it's often more economical to order more than you
think will be required.
Every color has an associated cost;
different colors have different chemical make-ups, which make them
more or less expensive than others.
Drop shadows, shading and
anything that blends from light to dark will probably end up looking
like a series of dots and should be avoided. (This does not apply to
single-color halftone gradients).
Most likely, the following
special requirements will add to your screenprinting costs:
-
If you need your screenprinting to match an exact color, requiring
inks be custom-mixed to achieve that PMS color
- The process that
allows colors to show correctly on dark goods
- Additional
locations on a garment
- Special (not the normal) logo
locations
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The following guidelines can
help you streamline your buying and, therefore, boost your
profits.
Buying for Men: Any style listed as Adult
are sized for men. Adult Golf-cut styles generally offer a better
fit for beefier male builds.
Buying for Ladies: Styles
listed as Ladies' are women's sizes. If the women on your team
prefer a Men's or Adult style, select one size smaller than what
they would wear in Ladies' sizes.
Buying for Groups:
Use the charts below for a general percentage to help you determine
how many shirts in each size you need when buying for a
group.
To calculate your buying quantities by size, simply
multiply the number of people in your group by the percentage in the
chart for each size.

These are general guidelines only and should
only be used as a starting point for determining necessary
quantities. Your group sizes may vary greatly.
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